Red | Dancenorth
dance, review Tristan Niemi dance, review Tristan Niemi

Red | Dancenorth

The voyeuristic tone was set from the moment I entered the warehouse. A separate audience bank on the opposite side of the bubble along with the bubble itself were constantly there to remind me I was watching. That I was invading the privacy of the individuals contained within. What could have been read as an invasive observation of an endangered species’ mating dance very quickly became an allegory for the final members of a species scrambling to preserve their world as it collapses around them.

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Ishmael | Dead Puppet Society
theatre, review Katie Rasch theatre, review Katie Rasch

Ishmael | Dead Puppet Society

Dead Puppet Society has created something truly spectacular with Ishmael. It captured my inner child and had a wonderful sense of play in its sets and puppets, and paired it with some really grounded critiques of capitalism and the false security presented by constant competition.

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Auntie's Fiafia Night | Casus Circus
circus, dance, review Saskia Sassen circus, dance, review Saskia Sassen

Auntie's Fiafia Night | Casus Circus

Imagine two powerful women with vibrant flower covered moomoos, fanning themselves with woven fans, and big palm leaf plant beside them, laughing and gesturing as the performers take turns trying to earn a smile from them all night long. This shows just how respected elders and women are in Pasifika culture and that was an amazing take away for those who may not be of that background/culture.

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Same Penis Forever | Rebel Lyons
comedy, theatre, review Fliss Morton comedy, theatre, review Fliss Morton

Same Penis Forever | Rebel Lyons

Humanising the different agents of social conditioning demonstrated that people make traditions, and traditions aren’t these immovable structures that must be obeyed at all costs. Traditions make culture, so if the diamond engagement ring was something some marketing mogul came up with to sell more diamonds, then why the hell do we take this ‘tradition’ so seriously.

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Demolition | Polytoxic
circus, physical theatre, review Katie Rasch circus, physical theatre, review Katie Rasch

Demolition | Polytoxic

The importance of solidarity really stuck with me and I felt like I was being shown an inclusive version of sisterhood that I could really relate to. This was no highly sanitised mainstream girlboss sisterhood, but the kind of solidarity that can be difficult and gritty and requires you to show up for other people and do the work.

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Dirty Laundry | Briefs Factory
circus, cabaret, review Virag Dombay circus, cabaret, review Virag Dombay

Dirty Laundry | Briefs Factory

Briefs Factory’s Dirty Laundry is sexy but it also has a lot of heart and soul. It’s a show that not only dazzles but is also about connection and finding joy and pleasure in moments of uncertainty. It’s a show that will make you wolf-whistle, stomp your feet and leave you thirsty for more.

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Demolition | Polytoxic
circus, physical theatre, review Hope One circus, physical theatre, review Hope One

Demolition | Polytoxic

This work left me feeling seen on so many levels - as a Queer non-binary person struggling to fit the status quo, as a Maori woman who wasn’t raised on her Marae or Ancestral lands, as a Mother realising the importance of embracing culture for your children’s future, as a woman being surrounded by the constant pressures of living up to the patriarchal structure and never feeling good enough. I felt uplifted, hopeful, powerful and full of rage.

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Weredingo | Karul Projects
theatre, review Dr Fed theatre, review Dr Fed

Weredingo | Karul Projects

“Are you coming as a human or as an animal tonight?” a well-dressed guy asked us as we descended into New Benner Theatre at Metro Arts on Saturday night. “Animal!” I said without giving myself the time to process the question.

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The Freshblood Festival 2021 | Vena Cava Productions

The Freshblood Festival 2021 | Vena Cava Productions

The Freshblood Festival allows a platform for emerging artists to showcase and workshop their work in a professional capacity. Each performance I viewed was written by current QUT students and alumni. I must admit that I was blown away by the level of professionalism that was showcased in this festival, and I hope that I will be able to get to the festival again next year.

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Theatresports Grand Championships | ImproMafia
comedy, improv, review Sylvia Speakeasy comedy, improv, review Sylvia Speakeasy

Theatresports Grand Championships | ImproMafia

I counted fourteen different scenes across the show, which I thought was an impressive number for an hour-long show, and served as a tantalising sampler of the wide, wild world of impro possibilities. Over those scenes, the performers each showcased their strong individual talents for improvisation, imagination, and characterisation – and their sheer joy at being on stage was palpable. There was a great sense of chemistry between all of the performers, which allowed them to skillfully, smoothly riff off each other through even the most surprising changes in a scene.

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Echo | ADC
dance, review Zac Burns dance, review Zac Burns

Echo | ADC

I found myself appreciating the way each [video] used the editing process to produce new kinds of performances not otherwise possible. I was taken to beaches and country sides, highways and bushland; with each passing car a single dancer became three, and elegant hands multiplied upon themselves becoming ghostly worm-like entanglements. One dancer could pause at the end of a sequence only to be replaced by the next in the same position, continuing the next phrase like an Olympic relay of choreography and movement.

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Romeo & Juliet | Queensland Shakespeare Ensemble
theatre, review Catherine Lawrence theatre, review Catherine Lawrence

Romeo & Juliet | Queensland Shakespeare Ensemble

If you haven’t seen ‘a Shakespeare,’ then the Queensland Shakespeare Ensemble’s (QSE) Romeo & Juliet is a highly-accessible doorway into the Bard’s work. Love at first sight ends badly for the star-crossed lovers, but results in the end of a long-standing feud between their waring families. Go along to experience the anguish of love and loss, with great fight scenes, tender romantic moments, youthful rebellion, live original music, and memorable comic interludes.

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"How often do women get to play these roles? And more, how often do audiences get to see this?" Liliana Macarone on playing THE romantic hero in Qld Shakespeare Ensemble's 'Romeo & Juliet'.
interview, article Catherine Lawrence interview, article Catherine Lawrence

"How often do women get to play these roles? And more, how often do audiences get to see this?" Liliana Macarone on playing THE romantic hero in Qld Shakespeare Ensemble's 'Romeo & Juliet'.

I think people would be more accepting of a female Richard III doing villainous things, than a female Romeo wooing a young girl. And this is surely the reason why I never expected the opportunity to play Romeo. Also, our culture tends to pigeon-hole full-bodied women (I am not physically boyish), and limit what women can play once they hit their 40s, which in my opinion really makes this representation significant. It’s exhilarating to get to play the romantic hero – with all his freedom and agency – winning the girl and defying the stars! How often do women get to play these roles? And more, how often do audiences get to see this?

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An Origin Story
op-ed, article Nadia Jade op-ed, article Nadia Jade

An Origin Story

The name is a tongue in cheek statement about the art in Brisbane. I’ve lived here on and off and passed through town for nigh on thirty years since I was tiny. There is this pervasive myth, the myth of the Deep North, that nothing actually happens here. That because you can’t find it on the main street, it doesn’t exist. But Brisbane has a virulent, passionate artistic history.

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 "Some people have likened impro to a drug because it is so addictive." Wade Robinson riffs on magic of impro and the upcoming Theatresport Grand Championships.
interview, article Sylvia Speakeasy interview, article Sylvia Speakeasy

"Some people have likened impro to a drug because it is so addictive." Wade Robinson riffs on magic of impro and the upcoming Theatresport Grand Championships.

Sylvia spoke with show director Wade Robinson to find out more about impro and Theatresports. He also dishes on the upcoming Theatresports Grand Championships where the best improvisors from Brisbane and beyond will battle it out in the upcoming in a side-splitting showdown of quick wits, fast thinking and comedy clout.

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A Midnight Visit | Broad Encounters
theatre, review Georgia McKenzie theatre, review Georgia McKenzie

A Midnight Visit | Broad Encounters

What the creative team of A Midnight Visit have created is truly something wonderful that transported me into a world where my imagination could run wild. I felt childlike exploring the rooms and listening to the characters, as though I was romping around an exciting large playground for the first time.

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