37: The play that exposes the dark underbelly of Footy
This is an excellent show par none that can be enjoyed by both arts and footy lovers. By including the vessels of sportsmanship, authenticity, integrity and an outstanding dialogue, this quality production aptly conveys the community spirit, thrilling energy and intense physicality of this much loved and popular sport. The talented ensemble tackles the deep themes that writer Nathan Maynard covers in this play with humour, energy and a whole lot of heart particularly when the top dogs are pitted against the underdogs.
“Post-genre means equity and inclusivity: every genre, every discipline, every community, has something valid to share.”
Looking at it this way, the most important aspects therefore weren’t just the pieces we programmed, or the particular genres involved, but how, and why, we do what we do. This realisation has given us so many more possibilities artistically, but also resulted in us curating using our values of social equity, non-hierarchical artistic collaboration, and celebrating community first.
“Join us for an immersive celebration of the indomitable human spirit.” Sophia Hodych on ‘Art of Courage'.
Ukraine has an unbelievably rich and complex history, some of it horrific and heartbreaking, some fun and heartwarming. Immersive theatre provides audiences with an opportunity to choose which scenes to see, what knowledge to gain and what emotions to experience.
NGPE Conversations #2: The Jodie Rottle Fight for Fun
“I wanted music to be enjoyable and funny instead of stressful and serious. Eventually, I found myself asking, why are we even doing this? Fortunately, I had some really, really fun colleagues.”
NGPE Conversations #1: Inside Helen Svoboda’s Genre-Less Cinematic Odyssey
MJ O’Neill is writing about music again, in a new monthly series. For the first of the ‘Noisy <Gender> Punk Energy’ interviews, meet Helen Svoboda, one of the most dizzyingly accomplished and prolific musicians in the country.
Love it, hate it, leave it, return to it. Work out your local pride complex at ‘All My Friends Are Returning to Brisbane.’
Call it what you will the ebb and pull of the Sunshine State has its young people running away, and then running back to Brisbane, in a perpetual state of disenchantment and ocker pride. These themes are explored in the production, All My Friends Are Returning to Brisbane.
AWAKEN: Backbone Festival 2023: “Where the arts come alive, and dreams take flight.”
Often as artists, we hear ‘No’ so often that we start bending and breaking our artistic practice to fit someone else’s limits. Our Young and Emerging Artists present unique and exciting works that haven’t been limited by anyones ‘No’.
“Gives us space to laugh while we consider the enormity of this crisis.” Celia White on latest Vulcana production ‘IMPACT’
Our favourite medium is circus so it was important to tackle this subject and how we tell these kind of stories through this modality. It will be really interesting to see how the audience responds a series of images, a series of tipping points.
“Enhanced authenticity is unlocked when we trust disabled voices to tell disabled stories… It’s powerful stuff!” Undercover Artist Festival 2023
Looking for new, fresh, and original performing arts? Look no further, Undercover Artist Festival has you covered.
"The Festival will showcase the best and most innovative comedians and performers." Rosa Sottile on the 2023 Brisbane Improv Festival
This week we have some killer shows in a huge diversity of formats from horror to musical to drama to classic improvised comedy - it’s something for everyone!
“Going camp”: Revelations on craft, cringe, and queerness with writer and theatre maker Esther Dougherty
I don't think there's ever a point in any of my plays where a character actually tells a joke. It’s not them cracking jokes with each other; we’re laughing at them. It’s clown, and everyone is invited to uncouple from the profundity, the seriousness, to cleanse the palette.
"Anywhere Festival is all about discovering shows, places and people you wouldn't expect, where you wouldn't expect." Paul Osuch on this year's Anywhere Festival
Anywhere Festival is about bringing artists and audiences closer together—and it’s about showing there is a way for artists to create and develop shows without having to rely on the bricks and mortar performing arts complex.
"Our biggest and boldest season yet!" Lachlan Driscoll on the launch of Observatory Theatre's 2023 Season
I think seasons are a fantastic way to involve audiences more deeply in what we do as a company and also the shows themselves. The season becomes an invitation to get a bit closer. The curation of a season of work around a core focus is a chance for audiences to gain more meaning than if the shows were just standalone.
"This is for anyone with a smart phone, feeling a little bit less than." Charli Burrowes on her debut play 'Bloom Girl'
It’s a story about wanting to be loved (and 'liked'). With a few heartbreaks in my back pocket, I have combined my experiences of the digital dating scene to turn them into something a little fun, just in time for Valentine’s Day.
"It shows how much views are changing on sexuality." The cast of Blush on making a 'sexy adult circus' more subversive & inclusive
Some of the reviews we received had a bit of a stab at the male nudity, but not the female nudity, because Australian audiences especially are very used to women being sexualized in that way… And the success of the show sort of shows how much people are changing, like how much views are changing on sexuality.
"We were inspired to create an event that celebrated and centred the art of improvisation!" Rosa Sottile on the 2022 Brisbane Improv Festival
We were inspired by the New Zealand Improv Festival and other similar festivals to create an event that celebrated and centred the art of improvisation! Improvised theatre and comedy is so special because every show is completely unique and different - you literally will never get the same show twice.
"I’ve created these shows to ignite and spark conversations about young people and the adults in their lives." Virag Domby on 'Dear Adults' and 'What's for Dinner?'
There was no play medium out there that I felt resonated with my thoughts as young person. Certainly nothing that gave me agency. So, I guess you could say that I made it my mission to write and direct `works which give youth a platform for their voice to be heard.
"Backbone Festival is a testament to the resilience, creativity and abilities of young artists." Sampson Smith on the 2022 Backbone Festival.
It feels incredible to be a part of the beginning of their journeys, and it’s wonderful to see where artists and works from Backbone end up. I’m particularly excited about presenting the new work of our three Pilot Artists in Residence; Howling Jackals by Micah Rustichelli, Sad Boys Luv Art by Baby Blue, and Pierrot by Martelle Simon-Green.
"It’s been (another) difficult year, and we all deserve a Happy Hour." Darcie Rae on the escapist joy of Glitter Martini's latest show
I have spent a fair bit of time thinking about capital A “Art” over the last couple of years, and the line between art and entertainment. I’ve landed on joy as being a perfectly acceptable reason for something to exist, and this show is a celebration of that. Also all the acts are themed around happy hour beverages.
"The House (of Alexander) has actually shown me that the world is my oyster and the possibilities are endless." Aniita Maka on power of chosen family in Ballroom.
Seeing women like mama Ella … She was the first openly transwoman who worked in the airlines, and she’s worked in many different industries and how she has navigated through that lifestyle is something we don’t envisage for ourselves, because we feel its out of our reach. To see someone overcome that and negotiate through that stuff, is what inspires me and keeps me going as a person.