Chatter | Spencer Novich
review, circus Darcie Rae review, circus Darcie Rae

Chatter | Spencer Novich

Great art happens when the artist is willing and able to externalise the most true and human parts of themselves on stage for an audience. Chatter is absurd, funny, confronting, and feels deeply real and undeniably honest. It is a compelling rollercoaster of an hour that loops through the silly and sad with a deft artistic hand and slick sound and lighting design. I only wish that I had been able to review this show at the start of its season, so I could have told everyone I know that they simply had to see it.

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6 Degrees | Chimera Arts
review, circus Catherine Lawrence review, circus Catherine Lawrence

6 Degrees | Chimera Arts

Chimera Arts has created a bold new work that explores the ways in which our lives are often closely inter-connected, and the potential of that social network. The use of ‘100 metres of chunky yarn’ is a clever device to reinforce messages about connection, and about the unravelling of power, represented through the excellent set design, and in the ways in which the artists gradually tear down the barriers and emerge from underneath the pieces. 

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Cirque Bon Bon - Le Retour | JACs Entertainment
review, circus Ophelia Novak review, circus Ophelia Novak

Cirque Bon Bon - Le Retour | JACs Entertainment

There were so many excellent moments in Le Retour, but one special highlight for me was contortionist and foot archery artist, Shannen Michaela, who performed her spectacular and technical archery act. The crowd was blown away by the acts, how she was able to set the scene, with accompanying epic music, as well as her charisma and perfect execution.

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Limbo - The Return | Strut & Fret
review, circus Glorianna Grace review, circus Glorianna Grace

Limbo - The Return | Strut & Fret

Without spoiling too much, it was an enchanting blend of artistry, music, and acrobatics that was sensual, whimsical, intense, and dangerous. If you fancy a ride into a sinister and sexy circus netherworld that will leave your heart pounding, then ‘Limbo-The Return’ is the perfect show for you.

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Dido & Aeneas | Opera Queensland & Circa
review, circus Triss Niemi review, circus Triss Niemi

Dido & Aeneas | Opera Queensland & Circa

I found that the inclusion of movement added so much to the experience of this work. The acrobats were able to bring the more abstract, mystical, violent, grotesque, glimmering elements of Dido and Aeneas’ world to life. Each and every member of the company (both acrobat and singer) brings a level of virtuosity to their work that reminds one why these forms have lasted the test of time.

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What Will Have Been | Circa
circus, review Catherine Lawrence circus, review Catherine Lawrence

What Will Have Been | Circa

The three acrobats are the stars of this exceptional show that features incredible hand balance by Daniel O’Brien, a fluid and moving straps solo (and acrobatic ‘dance’) by Kimberley Rossi, and quite amazing strength work by Zac Stephens. In just over 60 minutes, the performers demonstrated their mastery of circus arts to create moments of beauty, strength, power, fear, tenderness, pain, humour, wistfulness, joy, and connection.

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Cirque Jingle | JACs Entertainment
review, circus Catherine Lawrence review, circus Catherine Lawrence

Cirque Jingle | JACs Entertainment

There are a lot of great choices for a festive-themed show this season, including shows that have returned for many years. It’s great to see that JACs Entertainment has produced a show that complements those choices, offering an event that is suitable for the whole family.

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GODZ | Headfirst Acrobats
circus, review Triss Niemi circus, review Triss Niemi

GODZ | Headfirst Acrobats

When we talk about beautiful men, we will often say ‘Awh, he’s like a Greek God’. Headfirst Acrobats take this aphorism and run, giving us GODZ: a one-hour high comedy, high camp, circus extravaganza, all the while keeping it extremely sexy.

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IMPACT | Vulcana
review, circus Kaylee Vera review, circus Kaylee Vera

IMPACT | Vulcana

The showcasing of such a diversity of voices all affected by the climate crisis is what made IMPACT special. The entire event felt like a community getting together to share stories and find comfort in shared experience.

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Eternity | Circa
circus, review Catherine Lawrence circus, review Catherine Lawrence

Eternity | Circa

I can see why Circa’s Eternity has been the elusive golden ticket of the festival: a sold-out world premiere production by internationally renowned local superstars, promising a site-specific work that brings acrobatic excellence and contemporary spiritual music to Brisbane’s St John's Cathedral.

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Duck Pond | Circa
review, circus BB le Buff review, circus BB le Buff

Duck Pond | Circa

If you enjoy seeing circus performances, you’ll enjoy this show. The cast do a wonderful job and display a wide range of fabulous skills. It won’t be a production that leaves a life-changing impression on you, but you will enjoy it even if you leave somewhat confused by the overall narrative. If, like me, you go in as an audience member with a critical eye for circus and dance productions and with a knowledge of the classical greats however, you may leave somewhat disappointed and confused.

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Common Dissonance | Na Djinang Circus
review, circus Ranjini Ganapathy review, circus Ranjini Ganapathy

Common Dissonance | Na Djinang Circus

Under the purposeful glare of the spotlight, the sight of two bodies cocooned in a tight embrace appeared before us. I saw their fingers endeavouring to make imprints on the skin of the other, pressing and digging into soft tissue. As they pushed themselves into each other while trying to simultaneously pry and peel themselves off the other, I gathered that the uneasy, uncomfortable yoking of their physical beings underscored the theme of common dissonance deliberately right from the get-go.

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Break | Cecilia Martin & The Farm
circus, review, physical theatre Catherine Lawrence circus, review, physical theatre Catherine Lawrence

Break | Cecilia Martin & The Farm

Highlights were the directness and vulnerability with which the story was told, and the interweaving of acrobatic skills. We hear insights into the close relationship between skilled performers—including the sheer joy of ‘getting it right,’ as well as the pain and pressure of training, travel, and surgeries, and we see great use of the spinning plates, walking on broken china, incredible athleticism (and skipping), and quite amazing trapeze and aerial acrobatics.

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