A Few Good Men | Queensland Theatre Company
A Few Good Men is the must see show of the year—or possibly the Queensland Theatre Company (QTC) production of the decade. It is a show for our time, and a play that goes to the heart of what it means to be honourable and courageous. Director Daniel Evans has created a show that is both epic and intimate, and which emphasises the light and shade of the story. It gets a 6-star, 10 out of 10 rating from me. Go if you can find a ticket for this show!
Bahala/o | Buddy Malbasias
Bahala/o is a new, genre-defying experience. You can’t order this one online, or have it delivered to your door. This is a rice dish that is worth leaving home for.
HEAT | Zen Zen Zo
Heat takes place in the sweetly nostalgic backyard of Morningside Scout Hall, a classic school-yard style building with layered timber and a tall roof. The addition of a clothesline, a ring of eucalypts, a sunset and a passing trainline results in a richly sensory experience that charms the early show audience.
NIGHT OF THE LIVING DEAD! THE MUSICAL! | Ghostlight Theatre Co.
NIGHT OF THE LIVING DEAD! THE MUSICAL! is a raucous, cleverly unhinged tribute that proves even horror’s darkest origins can find new life in song. Go for the zombies, stay for the satire—and maybe rewatch the original 1968 masterpiece before or after.
Life With Herpes: First Symptoms | Rebel Star
Rebel Star’s new work, Life With Herpes: First Symptoms, is deeply personal, delightfully silly, and surprisingly educational.
Horse Play | Nathaniel Crossinggum & Lunch Friend
Following punter Georgie as she is dragged into activist Pony’s impending bomb plot targeting the Melbourne Cup, Horse Play is an exploration of the intersection between protest, obligation, and fear, unpacking this venn diagram so thoroughly that by the end, you’ll be wondering why you’re not doing more.
Tell Me Something | Davidson Gluyas Productions
Tell Me Something is a great piece of theatre, and I hope that its inclusion in the 2025 Melt Festival attracts queer and wider audiences. Yes, the protagonists are queer, and yes there are some strong sexual references and deep themes. But each of these themes have a universality that is not limited to sexual orientation or identity. Tell Me Something is a reminder to all of us to be truthful with ourselves, and with our closest friends.
Make Me Better Ma | Jazz Zhao
Throughout her reading, Zhao’s vulnerability was palpable, permeating the theatre space with its rawness and authenticity and yet still encouraging laughter from the audience.
Whitefella Yella Tree | La Boite Theatre
Whitefella Yella Tree is the Romeo & Juliet of our times. The La Boite debut of award-winning Palawa playwright Dylan Van Den Berg deserves a sold-out close to its short run. It is a clever, and sometimes funny, piece of writing that addresses big issues through a sensitively told story.
Blanc de Blanc Encore | Strut & Fret
If you have been to a Strut & Fret show before you will know what to expect: incredible circus and burlesque artists, impressive comedians and singers, lots of audience interaction, and a captivatingly decadent 18+ event. If you have never been to a Strut & Fret show before, then be ready to be entertained and wowed by Blanc de Blanc Encore’s top-shelf entertainment; just be aware this is not for the prudish.
Malacañang Made Us | Queensland Theatre Company
Malacañang Made Us is a must-see show: great writing, clever design, and a strong cast. And I also love the way in which this show normalises and integrates queer identities and culture. Malacañang Made Us is a great choice for the Queensland Theatre Company program, and is certain to be on many top three lists from the 2025 Melt Festival. Go and see it if you can.
Survival On A Strange Planet | Darcie Rae Boatswain and Calum Johnston
‘Survival On A Strange Planet’ is an often funny take on how an alien might try to understand humanity through pop-culture that doubles as showcase for the aerial, lip-synching and whip-cracking skills of Grace Law (Performer), and for the puppetry talents of Calum Johnston (Co-Creator and Performer).
Terms and Conditions Apply | Play on Stage
The play is witty, funny and has some great dance moves. Unsurprisingly, as Day, Dombay and Hosie are each credited as co-creators and writers, the artists are well-cast and portray each of their characters as believable twenty-something housemates.
Saint Joan | The Island of Misfit Players
The Island of Misfit Players have approached Saint Joan with a level of respect and earnestness that felt refreshing to me; with no urge to modernise or reimagine the script, what they have achieved is an excellent, straightforward adaptation of the play while still maintaining a very personal stamp on their interpretation.
Into the Woods | Ad Astra
The cast, without a doubt, was first-rate. The performances themselves were a true showcase of their craft. There was something magical about everyone singing together, blending their voices so beautifully, that gave me goosebumps. I walked out the theatre door with the musical tunes still stuck in my head, and the audience clapping along even after the curtain fell. If you haven’t experienced this famous production yet, I invite you to experience it. Have an adventurous evening deep into the woods—just don’t wander too far off!
BIOS - INFERA | Amy Vowles, Piper Mae & Beetle Miyela
I couldn’t confidently tell you what BIOS - INFERA was strictly ‘about’, aside from the description given by the artists themselves, but I can tell you what it made me feel. The work is patient and meditative, never feeling like it has to speed up to match pace with modern attention spans. I was reminded of my experiences growing up backing onto bushland, walking barefoot surrounded by birdsong and the breathing of trees. I haven’t felt quite so small in a long time, and BIOS - INFERA gave me the same feeling of cosmic insignificance in the best way.
FUSE | Anabella Gregory
As an exploration of ‘why do we gravitate towards certain people,’ FUSE presents audiences with several chapters or movements that illustrate moments of connection, provoking reflection about the nature of family, friendship, and partnership. While the five performers each have their moment at centre stage, I found the interactions between the cast to be most compelling, which is unsurprising for a show that explores how ‘we are emotionally wired to connect.’
The 39 Steps | Woodward Productions & Neil Gooding Productions
Ian Stenlake is a great choice for the role of our unsuspecting hero, Richard Hannay. Lisa McCune is a talented actor: charming as the foreign spy, highly amusing as the farmer’s wife, and fabulous as Hannay’s love interest. Casting The Umbilical Brothers is a great idea; the duo is an experienced comedy partnership, which means that Collins and Dundas are very capable of improvising and working hard to see if they can each ‘corpse’ their fellow artists.
Unveiling Shadows | Joshua Taliani
Taliani expertly leads the audience on a journey through krump, bounce, and other hip-hop or street styles; vogue femme and hands performance; and the intersection of these styles with his contemporary dance background as well as his First Nations cultural practises. I use expertly here in the senses that he is (1) a phenomenal technician of all these styles, (2) an exceedingly evocative storyteller, and (3) the master of the world this work takes place in
The Telephone - The Lord Mayor’s City Hall Concert | Gian Carlo Menotti
I wasn’t sure what to expect from a one hour long, free opera sung in English, but after seeing The Telephone, I can say it was a delight. Cleverly presented and beautiful. The Telephone entertained and amazed the audience in a packed-out venue, ultimately providing an accessible entry point to opera for a modern audience.