The Platypus | Soft Tread Enterprises
A black comedy tackling the complexities of family, relationships, housing, and child rearing, The Platypus utilises its genre-bending format to unpack our cultural biases and ask uncomfortable questions.
Congratulations, Get Rich! | La Boite Theatre
‘Congratulations, Get Rich” reminded me of the value in hearing stories that come from a place of deep cultural specificity — stories that, regardless of your background, tap into shared experiences of love, loss, and connection. It’s rare to see something so intimate and culturally specific on stage, yet still feel so universal — and for me, that’s what made it clear how important it is to keep sharing diverse stories in theatre.
Party Ghost | Double Take
Party Ghost’s spooky, horror comedy was an absolute delight and had me belly laughing for a full 55 minutes.
The Turquoise Elephant | Observatory Theatre
As Director Lachlan Driscoll notes, ‘each character has their bonkers idea of what’s going on outside and how to cope” Carleton observes that ‘we do nothing on a grander and grander scale’. And what, the play asks us, is there to be done? Who should do it?’ In such a situation, an absurdist, black farce is absolutely the way in which to encourage audiences to face up to current reality—and to start to talk about the ‘elephant in the room’ (now, for me, forever turquoise!).
Good Chat Comedy’s Pop-Up Showcase | Good Chat Comedy
Comedy is subjective and the jokes can be hit and miss, but the comedians on display are experienced and have been touring the stand-up circuit for years so they come with the knowledge of how to work a room and get the most out of their punchlines.
Sometimes I Say Your Name Out Loud | Moment of Inertia & Collectivist
As I entered the space that ‘Sometimes I Say Your Name Out Loud’ inhabited, I noticed the warm aura immediately and felt drawn to take a seat in the front row, which is unusual for me. The set and lighting felt whimsical and almost childlike, with a paper lantern in the shape of a boat hanging above the stage.
Flat Out Like A Lizard | Robert the Cat presents the play by Norman Price
Flat Out Like a Lizard is a play that will have you feeling, though you have to spend some time untangling what it is that you are feeling and why. Presented by Metro Arts and Robert the Cat, it is a confronting piece of theatre that is minimalist in its execution and leaves nothing in the way of performer connecting straight to audience.
Terror Australis | Leah Shelton
The comedy is impeccable, it’s utterly bad form all the way through, a peculiarly Aussie delight… and yet she never once has to use a tired cliché or a sexist stereotype.