An Unquiet Grave | Blue Stockings
The full moon in Taurus shines bright over the city as I make way to The Station for An Unquiet Grave and the chaos of the early morning’s lunar eclipse still vibrates through the air. The ambience is perfect; low light, candles lit, witchy music, and witchy people in witchy outfits.
Jack Sharpe and The Curse of The Forbidden Fruit | Fake Blood
I loved the detailed research, the entertaining Harry Potter and Indiana Jones references, the story arc of the show, and the high-energy performances by each of the three artists. And I enjoyed the clever use of the apples as a metaphor for opening the eyes of performers, creatives, commentators and audiences.
Obstacle | Grace Longwill
What a body does, what theatre does, what doing a body and doing theatre looks like are all for her to decide. She has created a space that is accessible to her in every sense and while this may disrupt the viewers sense of “good” and “polished” theatre, she doesn’t apologise for it and we (or at least I) don’t have a single complaint about it.
The Bed Party | Sophia Davidson Gluyas
Gluyas seamlessly integrates the commentary into everyday conversation between five friends, creating sharp, witty and tongue and cheek dialogue. As a result, I can honestly say that it’s the sharpest writing I’ve seen on the PIP stage.
IMPACT | Vulcana
The showcasing of such a diversity of voices all affected by the climate crisis is what made IMPACT special. The entire event felt like a community getting together to share stories and find comfort in shared experience.
Fashion Collab | Brisbane Festival
The sense of community and joy present in Fashion Collab highlighted to me the importance of accessible creative outlets. Several participants I talked to emphasised the rarity of free and inclusive workshops.
Hide The Dog | Nathan Maynard & Jamie McCaskill
As a first generation immigrant mother endeavouring to teach her daughter to have pride in her ancestry and speak her language confidently, I cannot stress the primacy of plays such as ‘Hide the Dog’ being supported and presented on multiple platforms.
Sleep and the City | Emma-June Curik
The performance was a thought-provoking experience that left me with a whirlwind of emotions. It combined the three things that tend to lead to the best original work: raw vulnerability, education on a misunderstood topic, and catharsis. This combination seemed to result in a unique sense of community and belonging that I hadn’t expected.
Erth’s Shark Dive | Erth Visual & Physical Inc.
Erth’s Shark Dive did indeed deliver on the immersive 'cage diving' aspect, but it offered so much more than I had anticipated, leaving a surprisingly profound impact on me. The performance was informative but also deeply moving and beautiful, providing insights into the underwater world that I hadn’t expected.
Club Undercover | DIDG and Goddess Naavikaran
We went from seeing adapted traditional First Nations culture to a psychedelic journey to Club Culture using the power of dance and our ideas of what ceremony is transformed. So, it may seem like I am fangirling but it’s not just inspiration porn, its inclusion at its best and I loved it.
Betsy & I | indelabilityarts
Language is how we relate ideas to each other, and not having language for an experience can be as good as total isolation in it. Through learning the words for her experience, Ivy was able to reach out to those around her and say, “This is who I am. This life is mine, and it’s not yours to define for me”.
Tracker | Australian Dance Theatre
Wiradjuri choreographer and Australian Dance Theatre Artistic Director, Daniel Riley, has brought together a talented team of creatives and artists to create a show that focuses on Daniel Riley’s exploration of the life of his Great-Great Uncle, Alec "Tracker" Riley.
Bananaland | Kate Miller-Heidke & Keir Nuttall
It’s always wonderful to see other people’s creations, especially original ones. Drawing inspirations from the origin story of The Wiggles and real life experiences, Keir Nuttall and Kate Miller-Heidke created Bananaland during the pandemic
Party Ghost | Double Take
Party Ghost’s spooky, horror comedy was an absolute delight and had me belly laughing for a full 55 minutes.
Sheltered | Kathryn Hall
Kathryn Hall’s Sheltered is a charming, clever, cheeky, and compelling show (beautifully directed by Andi Snelling). Kathryn is disarmingly honest, speaking directly to the audience about the difficulties of leaving home, and establishing an independent life, while living with cerebral palsy.
Crazy Fucking Bitches | A Little Life Theatre
We start by going back to the story of Eve and I liked seeing her in the garden, five Eve’s consuming perfect red apples in the lustful manner they deserve.
Lightscape | Brisbane Festival
Lightscape has taken over public spaces in cities around the world, including Sydney, for more than 10 years. And it is now our turn to experience the global phenomenon during this year’s BrisFest. There’s a lot of publicity about it and many grammable moments that you’ve probably seen in your feeds which has drawn the masses for the length of the festival, but the question I keep asking myself is, is it worth the cost of admission?
Eternity | Circa
I can see why Circa’s Eternity has been the elusive golden ticket of the festival: a sold-out world premiere production by internationally renowned local superstars, promising a site-specific work that brings acrobatic excellence and contemporary spiritual music to Brisbane’s St John's Cathedral.
Underworld: An Operatic Journey to Hell and Back | Queensland Conservatorium
All-in-all while Underworld has much to answer for dramaturgically it is a night bubbling with the promise of a new generation of operatic stars.
Siva Mai Club | District41 & Oceanik Village
Siva Mai Club does not just speak to Pasifika and Indigenous people, no matter your cultural backgrounds, it is special to be a part of that communion in that 75 mins with a dash of island style humour.