Club Culture Cabaret | Briefs Factory
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Club Culture Cabaret | Briefs Factory

At night, the Brisbane Powerhouse is a towering structure. When awash in a coloured glow, the industrial legacies of its brick exterior are exposed and amplified. Standing tall, it looms above the heads of those swallowed by its glass doors. Yet on Sunday night, with Fez Fa’anana (as Shivannah) sauntering amongst arriving audiences and flashing smiles over diamantéd shoulders, the building had never felt so warm.

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Diva Dive | Finucane and Smith
cabaret, circus, review Kristy Stanfield cabaret, circus, review Kristy Stanfield

Diva Dive | Finucane and Smith

This is a variety show with a travelling circus feel to it, its numerous stunning acts from around the world sewn together by MC Moira, some kind of vampiric love goddess. She carried us through a host of dazzling dances, spine-tinglingly beautiful singing, trapeze, burlesque, boylesque, physical comedy and all manner of gender-defying feats.

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The Anniversary | Salvador Dinosaur
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The Anniversary | Salvador Dinosaur

I’m not even going to try to mince words, The Anniversary is a physical comedy masterclass. The performances, direction, physical comedy, sets, props, puppetry – basically everything - combine to create a rollercoaster of a ride that had me crying with laughter throughout. If you are a fan of absurdist comedy, clown or dark humour, do not miss this one if it comes to a theatre near you.

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Assume People Like You | Melon The Human
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Assume People Like You | Melon The Human

Melon the Human demonstrates clowning at its finest, providing an hour’s worth of circus with the skill of a yesteryear street hustler. He kept us there. Melon’s fluidity in all the balancing, balls, rings, giant cube gags, tennis ball decoys he scatters throughout his performance are masterful. A stellar performance for his first time running this show. Most definitely worth a looksee.

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Casting Off | A Good Catch
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Casting Off | A Good Catch

If you have ever eaten miso on toast, tofu and struggled to remember things, postulating dating and need to read the ethical slut or have wondered why church and state are not separate in parliament, or just a reminder that nothing’s off limits when a bunch of women are together. I want you all to see Casting Off. Don’t miss this show. It is absolutely without doubt, is a must see show and you will be left thinking about it for days after.

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BRED | Briefs Factory
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BRED | Briefs Factory

As impressive as the physical elements were, some of the more powerful moments were the dialogue parts. Emily delivers a powerful spoken word poem that had everyone in the room listening and Luke Hubbard stole the show for me in a closing performance that delved into the ongoing racism in the Australian police force and Indigenous deaths in custody, something that resonated with me deeply.

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In The Arms of Morpheous | ARC Circus
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In The Arms of Morpheous | ARC Circus

There was something very satisfying about watching Robbie Curtis, the sole performer in In The Arms of Morpheus, float and bounce around in a magical dreamscape. His movement was very fluid and light and the first trick with a big, bouncy cloud of fabric was such a good introduction into his world. Curtis combined some really impressive swinging pole, tumbling and juggling with a lot of well done clowning.

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RUNT | Dee, Cornelius and Wilks
theatre, physical theatre, review Nadia Jade theatre, physical theatre, review Nadia Jade

RUNT | Dee, Cornelius and Wilks

We are ruled by the body. We think our chattering minds are leading this affair but really it is the body that sings and screams, the skin that hungers for touch. You can go mad if no one touches you. You can go mad if love gets all twisted up. We know that children need safety to grow strong and true, they need enough attention to validate them, that emotional maturity and regularity is directly linked to the security we experience in our formative years.

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The Rabbit Hole | Ad Astra
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The Rabbit Hole | Ad Astra

Both characters experience this grief differently, with Becca packaging everything away and trying to distance herself as much as possible and Howie watching old VCR tapes and trying to hold onto whatever is left of his son. Both Bailey and Hirst deliver exceptional, emotionally gut-wrenching performances as their respective characters. Each have a stand-out moment when their grief boils up to the surface and explodes.

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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre
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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre

Before they know it, Cleo and Kara are thrust deep, deep, deep inside the rabbit hole of racism, colourism and the ongoing, relentless commodification of Black women. But when tweets resurface that question @INCOGNEGRO’s stance on homophobia, the battle is no longer fought in cyberspace. It becomes very personal. Gender preferences, shades of skin-colour, types of hair, beauty… are on the table as these two rip into each other while delving headlong into their very own pain and anguish.

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Face to Face | Emily Wells & Playlab Theatre
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Face to Face | Emily Wells & Playlab Theatre

Growing up in an Indigenous community, many of the issues that impact our mob happen so frequently that I personally found and still find it difficult to properly process a lot of the grief and my own trauma. Sitting in the crowd and watching the characters speak gave me some time to truly reflect and allowed me to be vulnerable as they expressed their own vulnerability.

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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre
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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre

Play wright Jasmine Lee Jones explores a range of issues in this creation. Issues we face in this society as women of colour with working through the trickiness of white-privilege, attraction and body-shaming, the male gaze, sexual assault, sexuality, colourism and the deep dive discord of social media. It reminds us all the social media can be a dark space and it’s easy to lose yourself in it. And also, how much our privacy is abolished in our absent minded engagement in it. How many times have you felt the pang of reaction / non-reaction to a post you share? We all do it. And it’s crazy!

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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre
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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre

Under the direction of Shari Sebbens, the way the actors express their inner rhythm was so captivating. I read along to witty and vibrant UK accents interpreting tweets layered with gifs, emojis, memes and internet slang - the pair are so on point they hit each word on beat like a follower hits the love button. You like it, but then it’s not quite enough and you have to give it ‘another one, another one, another one.’

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Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre
theatre, review Katie Rasch theatre, review Katie Rasch

Seven Methods of Killing Kylie Jenner | Darlinghurst Theatre Company & Green Door Theatre

In a lot of ways I see the internet as a fun ball and chain attached to my ankle. There are so many more ways to connect, but also so many more ways to have expectations placed on you, and whether you love it or hate it, there feels like there's a kind of an inevitability to it. 7 Methods captures that feeling so well. Even when the actors devolve into the frankly stupid overuse of memes and abbreviations in their real-life speech, it still felt right to me. It felt authentic. That sense of authenticity contributed to a near constant stream of laughter from me and the rest of the audience.

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Cab Suave | Sparkle Society
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Cab Suave | Sparkle Society

Cab Suave is both a fresh and flirty take on circus cabarets and well needed reimagining of film noir for the modern era. Packed with all the circus you could need, a script full of zingers, and whole lot of charm, it’s the perfect piece of escapism for the virus that shall not be named.

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Circus in a Teacup | Vulcana Circus
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Circus in a Teacup | Vulcana Circus

The stories that the women told were deeply personal, and yet they were evocative of the experiences of many women. I thought of my mother, my sister, my best friends, and the many women who touched my life. I thought about the shared experiences, the coping mechanisms, and the healing processes. I was reminded of how resilient women can be.

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NONSTOP | Dots+Loops
music, performance art, review Tristan Niemi music, performance art, review Tristan Niemi

NONSTOP | Dots+Loops

The ebb and flow between classic and future sounds was so well balanced the similarities between the two became more apparent as the festival progressed. Almost as if we were guided through a showroom full of refurbished antiques and new things that had been aged so well, we could not tell the difference.

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Die Hard: The Movie, The Play | Act React
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Die Hard: The Movie, The Play | Act React

It was really great to be part of the live audience. I enjoyed the laughter (including watching some audience members almost in tears, as they were laughing so hard)… and it was wonderful to spend a whole hour in 1988 (a world away from the challenges of 2021.

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Leotard | Boyle & Waters
physical theatre, review Nadia Jade physical theatre, review Nadia Jade

Leotard | Boyle & Waters

Gorgeous leotards adorn the walls of the set. Leotards with hand-sewn sequins, with tinsel wrapped into tutus, with spangles and silk and cheap organza and above all else, lycra. Leotards with contrasting spandex panels. Leotards which costs hundreds, and leotards that are worth pennies. Leotards you wished you had owned, then, and now.

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Songs of Love & War | Opera Queensland & Chrysalis Projects
music, opera, review Tristan Niemi music, opera, review Tristan Niemi

Songs of Love & War | Opera Queensland & Chrysalis Projects

Opera is not the snooze-fest many think it to be. It possesses the same drama, romance, and impassioned violence of the modern soap or young-adult drama. Imagine a Riverdale musical episode but if the singing was superb and the show was well-written. If held regularly, intimate and more financially accessible events like this might help improve my generations’ perception of this delicious artform.

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