Utopia! And the Calamity Caravan | Observatory Theatre
circus, dance, review Nadia Jade circus, dance, review Nadia Jade

Utopia! And the Calamity Caravan | Observatory Theatre

Using circus, tap dance and clowning, the team at Observatory Theatre have made a vibrant and lively adventure story that is sure to please the kiddos. This is a pretty good first draft of a fun family show, and I genuinely enjoyed it and would like to see it transformed into a real winner, so I am going to put on my circus producer hat for this one.

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As You Like It | ThunderBear Productions
theatre, review Nadia Jade theatre, review Nadia Jade

As You Like It | ThunderBear Productions

A classic Shakespearian comedy, As You Like It is a drama that throws a big stick in the spokes of gender norms, what with a cast of characters that wander off the path on ill-conceived adventures, that fall in love quicker than you or I can drink a luke-warm latte, and are inclined to cross-dress without so much as a by-your-leave. It’s quite satisfying then, to see this contemporary staging heavily weighted with women, when once it would have been entirely performed by men.

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Booff | Clint Bolster
circus, review Nadia Jade circus, review Nadia Jade

Booff | Clint Bolster

A delightfully imposing clown, when captured in the intimate setting of the tea room, Booff becomes even larger than life. I felt quite giddy, it’s such a space to step into, an otherworldly experience. If you were to enter this beautiful parlour from the chaos of a summer festival, you would be instantly transported to another world entirely. In this Booff has done that most perfect of magic theatre tricks, he has made the outside go away and the inside somewhere else.

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Moon with a View | Calum Johnston
theatre, review Jaydem Martin theatre, review Jaydem Martin

Moon with a View | Calum Johnston

Moon with a View has that classic B-Grade science fiction vibe to it, like something you might see on Mystery Science Theater 3000, however the story of losing a loved one never got lost in the comedic nature of the show. For me this is what made it special. Beyond the fun, silliness and at times absurd, there was still a beautiful heart-warming tale of a relationship between a grandson and his grandma that was inspired by Calum’s personal life.

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The G.O.A.T. Show | Shock Therapy Productions
circus, burlesque, sideshow, review Aaron Dora circus, burlesque, sideshow, review Aaron Dora

The G.O.A.T. Show | Shock Therapy Productions

We sit on fold-out chairs on the front lawn of an abandoned house on Chevron Island. A table piled with iceberg lettuces sits beside a temporary stage. Our hosts, two men in neon coloured suits, are offering pickled onions from the jar, sardines from the can and melons ripped apart with their bare hands. They take it upon themselves to gently whack some audience members with fly swatters, despite the lack of flies. Ah, yes, hospitality.

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Creepy Cabaret | EC Venue and Damien Cassidy
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Creepy Cabaret | EC Venue and Damien Cassidy

Creepy Cabaret is just that - a tale of fake blood, puppets and blow up dolls, and a homage to sex (or lack of) complete with a twist on risking the status quo. It’s a great show and producer Damien Cassidy has pulled together a diverse international stellar cast in the one room.

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Circus Delivery! | Vulcana Circus
circus, review Nadia Jade circus, review Nadia Jade

Circus Delivery! | Vulcana Circus

After months inside, away from my people, to have a circus garden party was a such pleasure and a treat. We all wore hats. We ate 11 types of cake. We giggled and smiled and pointed and thoroughly enjoyed every minute of the cute, hot, funny, stoopid performance by Vulcanista’s Abbey Church and Liv Porter.

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Leotard | Boyle & Waters
physical theatre, review Ads J physical theatre, review Ads J

Leotard | Boyle & Waters

Leotard by Bridget Boyle and Neridah Waters and directed by Lucas Stibbard is an ode to the glory of these stretchy fabric costumes and the costumes we put on ourselves, and those forced upon us, by two of Australia's powerhouse physical comedians. Through a mix of vignettes, interviews with Brisbanites, interpretative dance and even theatre exercises, it's explores the messy beautiy of the lives of those who have donned the armour of lycra and dared to perform for the masses. And best of all, it's side-splittingly funny.

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