Unveiling Shadows | Joshua Taliani
review, dance Triss Niemi review, dance Triss Niemi

Unveiling Shadows | Joshua Taliani

Taliani expertly leads the audience on a journey through krump, bounce, and other hip-hop or street styles; vogue femme and hands performance; and the intersection of these styles with his contemporary dance background as well as his First Nations cultural practises. I use expertly here in the senses that he is (1) a phenomenal technician of all these styles, (2) an exceedingly evocative storyteller, and (3) the master of the world this work takes place in

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"The House (of Alexander) has actually shown me that the world is my oyster and the possibilities are endless." Aniita Maka on power of chosen family in Ballroom.
interview, article, ballroom Ofa Fanaika interview, article, ballroom Ofa Fanaika

"The House (of Alexander) has actually shown me that the world is my oyster and the possibilities are endless." Aniita Maka on power of chosen family in Ballroom.

Seeing women like mama Ella … She was the first openly transwoman who worked in the airlines, and she’s worked in many different industries and how she has navigated through that lifestyle is something we don’t envisage for ourselves, because we feel its out of our reach. To see someone overcome that and negotiate through that stuff, is what inspires me and keeps me going as a person.

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The House | The House of Alexander
review, dance, cabaret, ballroom Ofa Fanaika review, dance, cabaret, ballroom Ofa Fanaika

The House | The House of Alexander

The House to me spoke to Pasifika and Asian communities and the need for the creation of contemporary rituals, spaces and practice. Culture is a living thing. We need to evolve with the time and the needs of our people. In The House their cultural pride is on their sleeves and smiles, even from members who have been ousted by their families, still respectful of their roots. Work like this gives permission for all diaspora queer folk to know and believe that culture, gender and sexuality need not be mutually exclusive and can exist together in harmony, even in excellence.

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Meanjin is Burning: Ella Ganza and the local Ballroom community on the upcoming Alexander Ball. "I want Meanjin to be the capital of Ballroom in Australia."
interview, article, ballroom Tristan Niemi interview, article, ballroom Tristan Niemi

Meanjin is Burning: Ella Ganza and the local Ballroom community on the upcoming Alexander Ball. "I want Meanjin to be the capital of Ballroom in Australia."

Ballroom and the Ball is everything that is fashion, that is high-energy. It is going to be that
event you never knew you needed until you go. You don’t have to be a Queer person, a Person of
Colour, or a Queer Person of Colour to appreciate Ballroom. Because what it also stands for individuality. We don’t want another so-and-so. We want you to be authentically you. That’s why for me Ballroom is that one place where you are guaranteed to be jaw-dropped. You’ll leave saying you never knew how much you needed it in your life.

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