Homegrown | Loose Tooth Theatre

Writer Sarah Esser has achieved what I had previously thought was impossible - a horror play that is genuinely uncomfortable and upsetting. While many stage additions to the genre sit within psychological or gothic spaces, Esser leans deeply into the 70’s-80’s filmic space of puppetry oriented body horror and religious trauma (à la The Fly or The Exorcist) in a way that shines on PIP’s sleek indie stage.