Handle With Care | Virag Dombay, Gabby Fitzgerald, Zac Lawrence & Lachlan Driscoll
The play moves around the relationships of the two men in our protagonist Abbie’s life, but at its core the bigger story is that of female friendship, and the damage done when that falls apart. It’s only been in the last few years that the value of female friendship is beginning to be recognised and written about, the true unconditional nature of the love that is shared, that pushes one or the other to step far outside their comfort zone, or to see a little burning kernel of a wildheart hidden in a studious and forlorn wallflower.
Wer ya from? | Big Fork Theatre Improv In Colour
I didn’t know what was gonna happen, I haven’t been to anything like this before, it was fun, it was loose, it was cool. I didn’t feel weird once all night cause some bro made some sexist twat comedy shit comment. I laughed a lot and I felt right at home. Good vibes would recommend.
This Wide Night by Chloe Moss | A Moveable Theatre
With the play only having two characters, and little in set design, This Wide Night relies heavily on the dialogue and body language of the performers. Luckily, the play is in good hands, as Sharde Anne and Julia Johnson are tremendous with their performances and their wide acting range, going from humour to sadness to anger and everything in between. The dialogue sounded natural and the portrayal of Marie and Lorraine are very raw and brutally honest.
Untitled Relationship Experiment | Big Fork Theatre
One part that stuck with me in particular was Samantha’s character’s strained relationship with her mother who refused to see her daughter’s committed lesbian relationship as anything more than a close friendship, even after marriage. It brought to light the combination of humour and pain found in the common queer experience of dealing with family members who are for the most part loving and yet wilfully ignorant or unaccepting of who they are
The Secret Super Hero Galaxy-Travelling Family Band Show & Jam | Big Fork Theatre
I interpreted this scene as a powerful statement about what art at its core is really about; not striving for an illusive ideal of perfection but rather, supporting each other through the process of making something together, going with the flow, embracing imperfection, and having plenty of fun along the way.
Cool Story Bro, Culprits & Interstate Mates | Brisbane Improv Festival
Scenes developed at a rapid pace and build and strange, weird and wonderful directions. They go forward and back in time, explore the most obscure ideas. The improvisers jumped in whenever they got an idea and everyone was given a chance to play and lead. Jasmine’s love of peanut butter and disappointment in how small the containers are at the supermarket, unfolds as a scene of a couple’s illegal obsession with tiny anthropomorphic foods and Aarons tale of travelling in a tiny sleeper train in winter develops into a son taking his parents to school for a career day, who just happen to be stuck living in a fridge.
Those meagre descripions are in no way doing justice to the chaotic hilarity that unfurled before us.
Improvised Dr Who | D4WH
We enter the theatre and seats are filled. The lights switch off, the Spotify play list cuts, the mics not on, we laugh, the audience laughs. We hear “We're having a tech issue, so talk among yourselves”. So, what do a couple of women do seated behind me? Sing the Dr Who theme song, so of course, I join in as do others with a rendition no fan would think was worthy – out of tune, with a couple of dog howls - but what the heck, we were ready to jump in the Tardis to travel to an alternative dimension full of aliens, Daleks, Cybermen and save the world cliches.
The Bull, The Moon & the Coronet of Stars by Van Badham | Directed By Heidi Manché
I am a mere handful of years younger than our playwright and I recognised the tropes enough to know them for what they were – the blue summer dress, the man-hungry vixen, the affair that misfires when a younger woman throws herself at an attractive married man, his classic retreat to the wife, the larrikin who successfully woos the broken-hearted self-imposed-abstinent woman (he “knows about women”). These are the stories that filled a hundred novels when I was a voraciously-read teen and I think I liked them better then than I do now.
Women’s Show and Queer Show | Big Fork Theatre
As it went on, the intricate tale only tightened and strengthened, so much so that if someone had told me this story was carefully crafted and rehearsed, I would have believed them. I think that’s a great testament to the actors’ skill.
Hard Boiled Dick | Edge Improv & Never Before Musical | Ho Hum
I rocked up on the first night of the festival to a line going out the door (and round the corner) of the Ron Hurley theatre. It seems Brisbane has been hungry for improv, and Big Fork Theatre are serving up a feast. I saw back-to-back shows of Hardboiled Dick (Edge Improv) and Never Before Musical (Ho Hum).
Same Penis Forever | Rebel Lyons
Having married and divorced at the age of 24, Rebel Lyons draws upon her own experience to paint a full picture of the discomfort of butting up against a life that has been laid out for you. What a power move. Same Penis Forever was raw, wild, and unapologetic, with a heavy dose of elevator music.
The Laramie Project | Ad Astra
For those who aren’t familiar with the script, the Laramie Project is a piece of verbatim theatre which is based on approximately 200 hours of interviews with residents of Laramie, Wyoming, following the kidnapping and murder of gay university student, Matthew Sheppard 1998. It’s quite frankly appalling how relevant the content, characters and messages in the play are in our contemporary society.
Hello, Gaz Rhumbo! | Lightning Bolt Creative & Willem Whitfield
A fascinating play, with a whole lot going on. Hello, Gaz Rhumbo is a bizarre and fun-filled trip into the life, and untimely death, of our title character. The entire affair is reminiscent of a slightly perturbed gameshow, wherein the contestant gets a short recap and then has to fumble his way through a series of zany questions he is woefully unprepared for.
Hello, Gaz Rhumbo! | Lightning Bolt Creative & Willem Whitfield
The show advertises itself as an absurdist comedy. The absurd element is spot on, with clever writing and joke props. A fully grown man in a diaper wails like a baby. A woman uploads information directly to her head and seems to orgasm. Frequently, the characters spoke in a voice from beyond their own experience, laying down exposition that felt simultaneously jarring and hilarious.
Moon with a View | Calum Johnston
Moon with a View has that classic B-Grade science fiction vibe to it, like something you might see on Mystery Science Theater 3000, however the story of losing a loved one never got lost in the comedic nature of the show. For me this is what made it special. Beyond the fun, silliness and at times absurd, there was still a beautiful heart-warming tale of a relationship between a grandson and his grandma that was inspired by Calum’s personal life.
Jingle Bells Sucks Baubles | Ad Astra
Jingle Bells Sucks Baubles is a show that will 110% get you in the Christmas cheer, but is definitely not one for the children. From hallucinogenic cacti, to in house workouts via a smart watch to silent marches in Chermside over the environmental impacts of Christmas, Pierce Gordon’s script has it all.
Flat Out Like A Lizard | Robert the Cat presents the play by Norman Price
Flat Out Like a Lizard is a play that will have you feeling, though you have to spend some time untangling what it is that you are feeling and why. Presented by Metro Arts and Robert the Cat, it is a confronting piece of theatre that is minimalist in its execution and leaves nothing in the way of performer connecting straight to audience.
Tales from the Colony | Voices of Colour & Skin Deep Collective
It’s hard to believe that it took only ten days for ‘Tales from the Colony’ to be created and then performed on stage. For a work that was complexed, multifaceted and spoke on deep themes and issues, it was suspiring to hear how quick it took for it all to come together, but that’s also a testament to the rawness that was on full display. And when the ending came, the audience on their feet standing, clapping and cheering on in praise: the emotional toll on six incredible performers was evident, and with that the realisation of what we had experienced was more than a show, but a journey of exposing truths, finding identity and baring trauma.
Tales from the Colony | Voices of Colour & Skindeep Collective
Escalating emotions aside, one of the many highlights of the night was sharing the same space with such a rich mix of people of colour from so many different ethnic backgrounds. This truly felt like being back home again. Besides the delivery of the original material, what impressed was the message of hope and reconciliation this conveyed. The youth of the performers belied the intensity and ferocity with which they boldly embraced their storytelling by speaking out about taboo subjects.
Can I Help? | Aaron Dora & Renee Dobbyn
It’s strange to think about how when the lockdowns initially began, I was filled with anxiety and fear around what would happen to me both physical and mentally; to now watching a reading of a play that delves into those fears and anxieties, but finding myself laughing at certain scenes and then being taken back to sadness when the emotional scenes hit. ‘Can I Help?’ does a really good job at weaving in the drama and the serious nature of its topic, while also providing laughs and a fun quality to it.