Not a Cult* | Counterpilot
Not a Cult* leans into a certain Australian-ness. The cheerful insistence that she'll be right, the motivational slogans, the promise that if we all have a go we'll all get somewhere. Counterpilot takes these familiar cultural touchstones and turns them into something faintly sinister. Is our national identity just a collection of rituals we've agreed to repeat? When does community spirit become herd mentality?
Big Name, No Blankets | Andrea James with Anyupa Butcher & Sammy Tjapanangka Butcher
Each of the actors presented a compelling portrayal of the members of the band. Baykali Ganambarr’s Sammy was humble, modest, honest and a great narrator of the story. Definte highlights included the fantastic vocals and performances by Cassandra Williams (Suzina, Mum & Ensemble), and the superb stage presence and singing by Taj Pigram, as the Warumpi Band frontman.
Eucalyptus - The Opera | Brisbane Festival, QPAC and Queensland Symphony Orchestra
Eucalyptus – The Opera might be about the everyday of a small town, full of small people but their grandiose experience of that mundanity is portrayed to dazzling effect here. Evocative, haunting, and distinctly Australian, this work is one I hope to see do very well and thus usher in a new wave of Australiana at the opera.
Straight from the Strait | Opera Queensland, Yumpla Nerkep Foundation and QPAC
Straight from the Strait is a joyful unfolding of a History lesson taking off on the pulsating wings of soulful songs and reverberating through stamping feet carrying ancestral rhythms and wisdoms. It held me captive from the get-go and set my spirit free by the end of the night.
Horizon | Bangarra Dance Theatre
If you are new to Bangarra’s work, then Horizon is for you. If you are looking for a memorable creative and cultural experience, then Horizon is for you. If you want to admire exceptional cutting-edge contemporary dance, with great music, lighting and costumes … Horizon is also for you. angarra’s Horizon is an unmissable experience.
don’t ask what the bird look like | Queensland Theatre
Matilda Brown and Michael Tuahine each deliver stellar performances as they navigate the present and try to reconcile their intertwined past. Their initial meeting which starts off cool and distant, is wonderfully played out through their prolonged silences and obvious aversion to conversation.
Flat Out Like A Lizard | Robert the Cat presents the play by Norman Price
Flat Out Like a Lizard is a play that will have you feeling, though you have to spend some time untangling what it is that you are feeling and why. Presented by Metro Arts and Robert the Cat, it is a confronting piece of theatre that is minimalist in its execution and leaves nothing in the way of performer connecting straight to audience.
Mothlight | Skye Gellman & Naomi Francis
Bound and constrained by sawthes of plastic wrap, the show is never explicit. The performers explore relationship - between each other, between the physical possibilities of the room and the set, between their own internal and external selves, between their ambition and the physical limitations of the body.
Bighouse Dreaming | Declan Furber Gillick
Bighouse Dreaming is the type of work that reminds one of the simple, devastating power of a well-crafted drama … a work that leaves you gasping for breath through sheer storytelling and performance craft.
Giantess | Cassie Workman
[Giantess] is neither scandalous nor tragic, although it offers poignant memories as punctuation to the tale of a little girl, kidnapped by a troll, who will not be released until she finds all the answers, and faces up to her fears. And the answer is revealed through a beautiful show presented as a comedy, but actually a more nuanced performance with storytelling, spoken word, and a fluctuating line of parable.