Dear Son | Queensland Theatre
In a world where toxic masculinity and domestic violence have ripped families apart and fractured family relationships, Dear Son amplifies a long overdue need for change. Change that should allow a Blak man the rite of a safe passage to talk openly and honestly about what’s really going on inside himself. But more urgently, to heal the painful damage of the past.
ASK | Tristan Niemi
You could absolutely feel the tension in the room, it was palpable. I felt the recognition of my role as a voyeur in this maelstrom, and my heart started to race. It was thrilling. I felt compelled to keep asking questions. In fact, I asked questions through the whole show, for various reasons. Originally it was curiosity, and even partly some sort of weird benevolence towards the artist in the beginning. This was killed off by of an uncontrollable desire to hear as much of their story as possible.
Maze | The Naughty Corner Collective
The actors used neon tube lighting to move around the space, giving shape to the maze and blocking Wray’s path as he approached dead ends. This was a very effective use of the small stage. Further, it made the labyrinth feel alive, almost like a character itself, with the lighting being the blood pumping through the veins of the tunnels.